Westerns
I have a wide definition of a “western” as a work of fiction. James Fenimore Cooper’s last Leatherstocking novel, The Prairie (1827), is a Western in even a modern sense of the category. The Dime Western of the post-Civil War period, and the sensational “yellow” Westerns that overlapped the end of the wars with the American Indians of the West created and strengthened the stereotypes and conventions that later generations of writers had to deal with.
What is important and interesting, however, is that those later generations of writers are good, sometimes great. From Zane Grey (Ohio-born) to Louis L’Amour, A.B. Guthrie to Larry McMurtry, Dorothy Johnson to Paulette Giles, Elmer Kelton to Elmore Leonard, Thomas McGuane to Edward Abbey to N. Scott Momaday - so many writers have faced and continue to face the West and its history and its landscape.
I have a Westerns section in the store in the far frontier of the North Room, but I have other Westerns scattered in different areas, outposts in other literatures. I will work to gather them on this page, an ongoing building of community. Audiobooks of Western writers, including Zane Grey and A.B. Guthrie, Jr., are listed on my Audiobooks - Fiction, Poetry, Drama page.
A note on Louis L’Amour’s books: they are listed in alphabetical order by title with the exception of the 17-volume Sacketts titles, which are clustered at the end and numbered according the rough chronology L’Amour intended (it was flexible by his intention and unfinished at his death).
Listed here alphabetically by author.
Heller with a Gun
Heller with a Gun
Tom Healy was in trouble. His theatrical troupe needed to get to Alder Gulch, Montana, and the weather was turning. Andy Barker promised Tom he could get them there safely, but Tom was reluctant to trust him: he had the lives of three actresses to consider, and his personal feelings for Janice further heightened his concern. Then King Mabry showed up. Although Tom didn’t like the way he looked at Janice, he could see that Mabry made Barker uneasy. So Tom invited Mabry to join them. Tom was right to be worried, because Barker had a plan. He knew that the wagons carried something more than actors and scenery. He and his men were going to steal it any way they could. And that included murder.