Westerns
I have a wide definition of a “western” as a work of fiction. James Fenimore Cooper’s last Leatherstocking novel, The Prairie (1827), is a Western in even a modern sense of the category. The Dime Western of the post-Civil War period, and the sensational “yellow” Westerns that overlapped the end of the wars with the American Indians of the West created and strengthened the stereotypes and conventions that later generations of writers had to deal with.
What is important and interesting, however, is that those later generations of writers are good, sometimes great. From Zane Grey (Ohio-born) to Louis L’Amour, A.B. Guthrie to Larry McMurtry, Dorothy Johnson to Paulette Giles, Elmer Kelton to Elmore Leonard, Thomas McGuane to Edward Abbey to N. Scott Momaday - so many writers have faced and continue to face the West and its history and its landscape.
I have a Westerns section in the store in the far frontier of the North Room, but I have other Westerns scattered in different areas, outposts in other literatures. I will work to gather them on this page, an ongoing building of community. Audiobooks of Western writers, including Zane Grey and A.B. Guthrie, Jr., are listed on my Audiobooks - Fiction, Poetry, Drama page.
A note on Louis L’Amour’s books: they are listed in alphabetical order by title with the exception of the 17-volume Sacketts titles, which are clustered at the end and numbered according the rough chronology L’Amour intended (it was flexible by his intention and unfinished at his death).
Listed here alphabetically by author.
Milo Talon
Milo Talon
Milo Talon knew the territory and the good men from the bad. He had ridden the Outlaw Trail and could find out things others couldn’t. That was why a rich man named Jefferson Henry hired Milo to hunt down a missing girl. But from the moment Milo began his search, he knew something wasn’t right. Three people had already died, an innocent woman was on the run, and a once sleepy town was getting crowded with hired guns. Suddenly, Milo Talon realized that there were still things he had to learn—about the woman he was trying to find, the man who had hired him, and the murderer who wanted him dead. But most of all, Milo had a few things to learn about himself. And he would have to work fast, because one mistake could cost him his life.