Westerns
I have a wide definition of a “western” as a work of fiction. James Fenimore Cooper’s last Leatherstocking novel, The Prairie (1827), is a Western in even a modern sense of the category. The Dime Western of the post-Civil War period, and the sensational “yellow” Westerns that overlapped the end of the wars with the American Indians of the West created and strengthened the stereotypes and conventions that later generations of writers had to deal with.
What is important and interesting, however, is that those later generations of writers are good, sometimes great. From Zane Grey (Ohio-born) to Louis L’Amour, A.B. Guthrie to Larry McMurtry, Dorothy Johnson to Paulette Giles, Elmer Kelton to Elmore Leonard, Thomas McGuane to Edward Abbey to N. Scott Momaday - so many writers have faced and continue to face the West and its history and its landscape.
I have a Westerns section in the store in the far frontier of the North Room, but I have other Westerns scattered in different areas, outposts in other literatures. I will work to gather them on this page, an ongoing building of community. Audiobooks of Western writers, including Zane Grey and A.B. Guthrie, Jr., are listed on my Audiobooks - Fiction, Poetry, Drama page.
A note on Louis L’Amour’s books: they are listed in alphabetical order by title with the exception of the 17-volume Sacketts titles, which are clustered at the end and numbered according the rough chronology L’Amour intended (it was flexible by his intention and unfinished at his death).
Listed here alphabetically by author.
Mojave Crossing [#9 in The Sacketts series]
Mojave Crossing [#9 in The Sacketts series]
Louis L’Amour takes William Tell Sackett on a treacherous passage from the Arizona goldfields to the booming town of Los Angeles.
Tell Sackett was no ladies’ man, but he could spot trouble easily enough. And Dorinda Robiseau was the kind of trouble he wanted to avoid at any time—even more so when he had thirty pounds of gold in his saddlebags and a long way to travel. But when she begged him for safe passage to Los Angeles, Sackett reluctantly agreed. Now he’s on a perilous journey through the most brutal desert on the continent, traveling with a companion he doesn’t trust . . . and headed for a confrontation with a deadly gunman who also bears the name of Sackett.