Westerns
I have a wide definition of a “western” as a work of fiction. James Fenimore Cooper’s last Leatherstocking novel, The Prairie (1827), is a Western in even a modern sense of the category. The Dime Western of the post-Civil War period, and the sensational “yellow” Westerns that overlapped the end of the wars with the American Indians of the West created and strengthened the stereotypes and conventions that later generations of writers had to deal with.
What is important and interesting, however, is that those later generations of writers are good, sometimes great. From Zane Grey (Ohio-born) to Louis L’Amour, A.B. Guthrie to Larry McMurtry, Dorothy Johnson to Paulette Giles, Elmer Kelton to Elmore Leonard, Thomas McGuane to Edward Abbey to N. Scott Momaday - so many writers have faced and continue to face the West and its history and its landscape.
I have a Westerns section in the store in the far frontier of the North Room, but I have other Westerns scattered in different areas, outposts in other literatures. I will work to gather them on this page, an ongoing building of community. Audiobooks of Western writers, including Zane Grey and A.B. Guthrie, Jr., are listed on my Audiobooks - Fiction, Poetry, Drama page.
A note on Louis L’Amour’s books: they are listed in alphabetical order by title with the exception of the 17-volume Sacketts titles, which are clustered at the end and numbered according the rough chronology L’Amour intended (it was flexible by his intention and unfinished at his death).
Listed here alphabetically by author.
Mustang Man [#10 in The Sacketts series]
Mustang Man [#10 in The Sacketts series]
In Mustang Man, Louis L’Amour takes Nolan Sackett on a dangerous journey into family betrayal, greed, and murder.
When Nolan Sackett met Penelope Hume in a cantina at Borregos Plaza, the girl immediately captured his attention. That she was heir to a lost cache of gold didn’t make her any less desirable. But Penelope isn’t the only one after her grandfather’s treasure; Sylvie, Ralph, and Andrew Karnes, distant relatives with no legal claim to the gold, are obsessed with claiming the Hume fortune for themselves. Their all-consuming sense of entitlement recklessly drives them to ambush and murder. Even if Sackett and Penelope are fortunate enough to escape this deadly trio and find the canyon where the gold is hidden, Indian legend has it that nothing will live there—no birds or insects. They say it is filled with the bones of men.