Westerns
I have a wide definition of a “western” as a work of fiction. James Fenimore Cooper’s last Leatherstocking novel, The Prairie (1827), is a Western in even a modern sense of the category. The Dime Western of the post-Civil War period, and the sensational “yellow” Westerns that overlapped the end of the wars with the American Indians of the West created and strengthened the stereotypes and conventions that later generations of writers had to deal with.
What is important and interesting, however, is that those later generations of writers are good, sometimes great. From Zane Grey (Ohio-born) to Louis L’Amour, A.B. Guthrie to Larry McMurtry, Dorothy Johnson to Paulette Giles, Elmer Kelton to Elmore Leonard, Thomas McGuane to Edward Abbey to N. Scott Momaday - so many writers have faced and continue to face the West and its history and its landscape.
I have a Westerns section in the store in the far frontier of the North Room, but I have other Westerns scattered in different areas, outposts in other literatures. I will work to gather them on this page, an ongoing building of community. Audiobooks of Western writers, including Zane Grey and A.B. Guthrie, Jr., are listed on my Audiobooks - Fiction, Poetry, Drama page.
A note on Louis L’Amour’s books: they are listed in alphabetical order by title with the exception of the 17-volume Sacketts titles, which are clustered at the end and numbered according the rough chronology L’Amour intended (it was flexible by his intention and unfinished at his death).
Listed here alphabetically by author.
Norwood
Norwood
“A great American deadpan comedy. . . . Norwood, like a belt of whiskey, cleared my sinuses right up.” ––Slate
Norwood, Charles Portis’s first novel, displayed right out of the gate the wit, style, and singular voice that made him one of our great American writers. Out of the Neon Desert of Roller Dromes, chili parlors, the Grand Ole Opry, and girls who want “to live in a trailer and play records all night” comes ex-marine and troubadour Norwood Pratt. Sent on a mission to New York by Grady Fring, the Kredit King, Norwood has visions of “speeding across the country in a late model car, seeing all the sights.” By the time he returns home to Ralph, Texas, Norwood has met his true love, Rita Lee, on a Trailway bus; befriended Edmund B. Ratner, the self-described “world’s smallest perfect man”; and helped Joann, “the chicken with a college education,” realize her true potential in life. As with all of Portis’s fiction, the tone is cool, sympathetic, funny, and undeniably American.