Westerns
I have a wide definition of a “western” as a work of fiction. James Fenimore Cooper’s last Leatherstocking novel, The Prairie (1827), is a Western in even a modern sense of the category. The Dime Western of the post-Civil War period, and the sensational “yellow” Westerns that overlapped the end of the wars with the American Indians of the West created and strengthened the stereotypes and conventions that later generations of writers had to deal with.
What is important and interesting, however, is that those later generations of writers are good, sometimes great. From Zane Grey (Ohio-born) to Louis L’Amour, A.B. Guthrie to Larry McMurtry, Dorothy Johnson to Paulette Giles, Elmer Kelton to Elmore Leonard, Thomas McGuane to Edward Abbey to N. Scott Momaday - so many writers have faced and continue to face the West and its history and its landscape.
I have a Westerns section in the store in the far frontier of the North Room, but I have other Westerns scattered in different areas, outposts in other literatures. I will work to gather them on this page, an ongoing building of community. Audiobooks of Western writers, including Zane Grey and A.B. Guthrie, Jr., are listed on my Audiobooks - Fiction, Poetry, Drama page.
A note on Louis L’Amour’s books: they are listed in alphabetical order by title with the exception of the 17-volume Sacketts titles, which are clustered at the end and numbered according the rough chronology L’Amour intended (it was flexible by his intention and unfinished at his death).
Listed here alphabetically by author.
Nothing But Blue Skies
Nothing But Blue Skies
A ruefully funny novel of embattled manhood, set in Big Sky Country—by the highly acclaimed author of Ninety-two in the Shade and Cloudbursts, with writing “so dazzlingly acute and seemingly effortless that it infuses Nothing but Blue Skies with exuberance and wit.”—Chicago Tribune
This high-spirited and fiercely lyrical novel chronicles the fall and rise of Frank Copenhaver, a man so unhinged by his wife’s departure that he finds himself ruining his business, falling in love with the wrong women, and wandering the lawns of his neighborhood, desperate for the merest glimpse of normalcy. The result is a Montana where cowboys slug it out with speculators, a cattleman’s best friend may be his insurance broker, and love and fishing are the only consolations that last.
“Vibrant with the pleasures of ironic language, play and chase, and quick with broken-hearted humor.”—Los Angeles Times Book Review