Westerns
I have a wide definition of a “western” as a work of fiction. James Fenimore Cooper’s last Leatherstocking novel, The Prairie (1827), is a Western in even a modern sense of the category. The Dime Western of the post-Civil War period, and the sensational “yellow” Westerns that overlapped the end of the wars with the American Indians of the West created and strengthened the stereotypes and conventions that later generations of writers had to deal with.
What is important and interesting, however, is that those later generations of writers are good, sometimes great. From Zane Grey (Ohio-born) to Louis L’Amour, A.B. Guthrie to Larry McMurtry, Dorothy Johnson to Paulette Giles, Elmer Kelton to Elmore Leonard, Thomas McGuane to Edward Abbey to N. Scott Momaday - so many writers have faced and continue to face the West and its history and its landscape.
I have a Westerns section in the store in the far frontier of the North Room, but I have other Westerns scattered in different areas, outposts in other literatures. I will work to gather them on this page, an ongoing building of community. Audiobooks of Western writers, including Zane Grey and A.B. Guthrie, Jr., are listed on my Audiobooks - Fiction, Poetry, Drama page.
A note on Louis L’Amour’s books: they are listed in alphabetical order by title with the exception of the 17-volume Sacketts titles, which are clustered at the end and numbered according the rough chronology L’Amour intended (it was flexible by his intention and unfinished at his death).
Listed here alphabetically by author.
Ramona [Modern Library edition or Signet Classic edition]
Ramona [Modern Library edition or Signet Classic edition]
“If I could write a story that would do for the Indian a thousandth part of what Uncle Tom’s Cabin did for the Negro,” wrote Helen Hunt Jackson, “I would be thankful the rest of my life.” Jackson surpassed this ambition with the publication of Ramona, her popular 1884 romantic bestseller.
A beautiful half Native American, half-Scottish orphan raised by a harsh Mexican ranchera, Ramona enters into a forbidden love affair with a heroic Mission Indian named Alessandro. The pair’s adventures after they elope paint a vivid portrait of California history and the woeful fate of Native Americans and Mexicans whose lands and rights were stripped as Anglo-Americans overran southern California.
Set from the first American edition of 1884, this Modern Library Paperback Classic includes José Martí’s 1888 prologue (translated from the Spanish by Esther Allen).