Westerns
I have a wide definition of a “western” as a work of fiction. James Fenimore Cooper’s last Leatherstocking novel, The Prairie (1827), is a Western in even a modern sense of the category. The Dime Western of the post-Civil War period, and the sensational “yellow” Westerns that overlapped the end of the wars with the American Indians of the West created and strengthened the stereotypes and conventions that later generations of writers had to deal with.
What is important and interesting, however, is that those later generations of writers are good, sometimes great. From Zane Grey (Ohio-born) to Louis L’Amour, A.B. Guthrie to Larry McMurtry, Dorothy Johnson to Paulette Giles, Elmer Kelton to Elmore Leonard, Thomas McGuane to Edward Abbey to N. Scott Momaday - so many writers have faced and continue to face the West and its history and its landscape.
I have a Westerns section in the store in the far frontier of the North Room, but I have other Westerns scattered in different areas, outposts in other literatures. I will work to gather them on this page, an ongoing building of community. Audiobooks of Western writers, including Zane Grey and A.B. Guthrie, Jr., are listed on my Audiobooks - Fiction, Poetry, Drama page.
A note on Louis L’Amour’s books: they are listed in alphabetical order by title with the exception of the 17-volume Sacketts titles, which are clustered at the end and numbered according the rough chronology L’Amour intended (it was flexible by his intention and unfinished at his death).
Listed here alphabetically by author.
Reilly's Luck [Lost Treasures series]
Reilly's Luck [Lost Treasures series]
As part of the Louis L’Amour’s Lost Treasures series, this edition contains exclusive bonus materials!
Val Darrant was just four years old the snowy night his mother abandoned him. But instead of meeting a lonely death, he met Will Reilly—a gentleman, a gambler, and a worldly, self-taught scholar. For ten years they each were all the family the other had, traveling from dusty American boomtowns to the glittering cities of Belle Époque Europe—until the day Reilly’s luck ran out in a roar of gunfire.
But it wasn’t a gambling brawl or a pack of thieves that sealed Will’s fate. It was a far more complex story that Val would soon uncover—one that would bring him face-to-face with the one person he least wants to see: his mother. With the help of a beautiful, street-smart rancher and the woman who was Will Reilly’s lost love, Val must close this last cruel chapter of his past before he can turn the page on an uncertain future.
Louis L’Amour’s Lost Treasures is a project created to release some of the author’s more unconventional manuscripts from the family archives.