Westerns
I have a wide definition of a “western” as a work of fiction. James Fenimore Cooper’s last Leatherstocking novel, The Prairie (1827), is a Western in even a modern sense of the category. The Dime Western of the post-Civil War period, and the sensational “yellow” Westerns that overlapped the end of the wars with the American Indians of the West created and strengthened the stereotypes and conventions that later generations of writers had to deal with.
What is important and interesting, however, is that those later generations of writers are good, sometimes great. From Zane Grey (Ohio-born) to Louis L’Amour, A.B. Guthrie to Larry McMurtry, Dorothy Johnson to Paulette Giles, Elmer Kelton to Elmore Leonard, Thomas McGuane to Edward Abbey to N. Scott Momaday - so many writers have faced and continue to face the West and its history and its landscape.
I have a Westerns section in the store in the far frontier of the North Room, but I have other Westerns scattered in different areas, outposts in other literatures. I will work to gather them on this page, an ongoing building of community. Audiobooks of Western writers, including Zane Grey and A.B. Guthrie, Jr., are listed on my Audiobooks - Fiction, Poetry, Drama page.
A note on Louis L’Amour’s books: they are listed in alphabetical order by title with the exception of the 17-volume Sacketts titles, which are clustered at the end and numbered according the rough chronology L’Amour intended (it was flexible by his intention and unfinished at his death).
Listed here alphabetically by author.
The Sackett Companion: The Facts Behind the Fiction
The Sackett Companion: The Facts Behind the Fiction
Little did Louis L’Amour realize back in 1960 when he published The Daybreakers, a novel about two brothers who came west after the Civil War, that he had begun creating what would become perhaps North America’s most widely followed literary family: the Sacketts. The stories of ten generations of Sackett men and women as they forged westward from tyranny-wracked seventeenth-century England across the American continent have captivated readers for three decades through seventeen novels with nearly forty millions copies in print. The traditions and adventures of this family of rugged individualists who stand indomitably united when any Sackett is in trouble have inspired country songs, a popular television miniseries starring Tom Selleck (as Orrin Sackett) and Sam Elliot (as Tell Sackett), thousands of reader queries—and now, a rare full-length work of non-fiction by the worlds’ all-time best-selling frontier novelist.
In a 60 Minutes profile in which he hailed Louis L’Amour as “our professor emeritus of how the West was won,” correspondent Morley Safer observed that “his plots may be fiction but the details therein are fact.” The Sackett Companion is the author’s long-savored opportunity to present the research and probe the factors behind his Sackett fiction—novel by novel—and to elaborate on their real and fictional characters, their geography and locales, and their historical eras in encyclopedia-like detail.
In this book, subtitled A Personal Guide To The Sackett Novels, L’Amour takes us on a guided tour of his imagination to introduce us to the never-before-told sources and inspirations for these stories and the people and places that populate them. He retraces some of his travels in which he has walked the land the Sacketts walk, reliving such personal memories as the street fight he had on a hot dusty morning in New Mexico that ultimately led to the birth of the Sacketts.