Westerns
I have a wide definition of a “western” as a work of fiction. James Fenimore Cooper’s last Leatherstocking novel, The Prairie (1827), is a Western in even a modern sense of the category. The Dime Western of the post-Civil War period, and the sensational “yellow” Westerns that overlapped the end of the wars with the American Indians of the West created and strengthened the stereotypes and conventions that later generations of writers had to deal with.
What is important and interesting, however, is that those later generations of writers are good, sometimes great. From Zane Grey (Ohio-born) to Louis L’Amour, A.B. Guthrie to Larry McMurtry, Dorothy Johnson to Paulette Giles, Elmer Kelton to Elmore Leonard, Thomas McGuane to Edward Abbey to N. Scott Momaday - so many writers have faced and continue to face the West and its history and its landscape.
I have a Westerns section in the store in the far frontier of the North Room, but I have other Westerns scattered in different areas, outposts in other literatures. I will work to gather them on this page, an ongoing building of community. Audiobooks of Western writers, including Zane Grey and A.B. Guthrie, Jr., are listed on my Audiobooks - Fiction, Poetry, Drama page.
A note on Louis L’Amour’s books: they are listed in alphabetical order by title with the exception of the 17-volume Sacketts titles, which are clustered at the end and numbered according the rough chronology L’Amour intended (it was flexible by his intention and unfinished at his death).
Listed here alphabetically by author.
The Sky-Liners [#17 in The Sacketts series]
The Sky-Liners [#17 in The Sacketts series]
In The Sky-Liners, Louis L’Amour introduces Flagan and Galloway Sackett, heading west from Tennessee to seek their fortunes. That’s when they came across an old Irish trader who offered them two fine horses if they would agree to escort his granddaughter, Judith, to her father in Colorado. Flagan saw nothing but trouble in the fiery young woman, but they needed the horses. Unfortunately, Flagan was right, for Judith had fallen for James Black Fetchen, a charismatic gunman whose courtship hid the darkest of intentions.
Now Fetchen and his gang are racing the Sackett brothers to Colorado—leaving behind a trail of betrayal, robbery, and murder. Flagan and Galloway can only guess why Judith is so important to Fetchen and what awaits them at her father’s ranch. One thing Flagan knows for sure: The tough and spirited woman has won his heart. But can he trust her with his life?