Westerns
I have a wide definition of a “western” as a work of fiction. James Fenimore Cooper’s last Leatherstocking novel, The Prairie (1827), is a Western in even a modern sense of the category. The Dime Western of the post-Civil War period, and the sensational “yellow” Westerns that overlapped the end of the wars with the American Indians of the West created and strengthened the stereotypes and conventions that later generations of writers had to deal with.
What is important and interesting, however, is that those later generations of writers are good, sometimes great. From Zane Grey (Ohio-born) to Louis L’Amour, A.B. Guthrie to Larry McMurtry, Dorothy Johnson to Paulette Giles, Elmer Kelton to Elmore Leonard, Thomas McGuane to Edward Abbey to N. Scott Momaday - so many writers have faced and continue to face the West and its history and its landscape.
I have a Westerns section in the store in the far frontier of the North Room, but I have other Westerns scattered in different areas, outposts in other literatures. I will work to gather them on this page, an ongoing building of community. Audiobooks of Western writers, including Zane Grey and A.B. Guthrie, Jr., are listed on my Audiobooks - Fiction, Poetry, Drama page.
A note on Louis L’Amour’s books: they are listed in alphabetical order by title with the exception of the 17-volume Sacketts titles, which are clustered at the end and numbered according the rough chronology L’Amour intended (it was flexible by his intention and unfinished at his death).
Listed here alphabetically by author.
The Wake of Forgiveness
The Wake of Forgiveness
Reminiscent of Kent Haruf and Cormac McCarthy, Bruce Machart’s debut novel is a dark family saga set in the American Southwest.
On a moonless Texas night in 1895, an ambitious young landowner suffers the loss of “the only woman he’s ever been fond of” when his wife dies during childbirth with the couple’s fourth son, Karel. The boy is forever haunted by thoughts of the mother he never knew, by the bloodshot blame in his father’s eyes, and permanently marked by the yoke he and his brothers are forced to wear to plow the family fields. From an early age, Karel proves so talented on horseback that his father enlists him to ride in acreage-staked horseraces against his neighbors. In the winter of 1910, Karel rides in the ultimate high-stakes race against a powerful Spanish patriarch and his alluring daughters: hanging in the balance are his father’s fortune, his brothers' futures, and his own fate.