World War I (1914-1918)
The more you read about the First World War, the more you realize that the centuries meet there. The career of nation-states, the legacies of imperialism, the entanglement of colonialism, the pace of technological development, the gamemanship of ways of doing battle dating back to the Roman Empire, and the irresistable rise of 20th Century powers all collide in a four-year war.
Here I stock a mix of traditional histories, fiction, and other ways of telling the story that echoes into our present day.
Homefront Horrors: Frights Away from the Front Lines, 1914-1918
Homefront Horrors: Frights Away from the Front Lines, 1914-1918
The anxiety and dread of wartime Britain is recaptured in this anthology of horror stories and supernatural fiction dating from 1914 – 18. Rather than taking war as their theme, the tales offer readers escapist fare populated by ghosts, ghouls, and other malevolent spirits. Written amid the golden age of horror fiction — the decades between the turn of the twentieth century and 1940, when tales of terror and the weird flourished — these stories constitute forgotten gems by neglected masters.
Seventeen tales include Max Beerbohm's "Enoch Soames," in which an obscure poet makes a deal with the devil and travels forward in time to discover history's verdict of his work; "Laura," by Saki, a witty and moving perspective on death and loss that recounts a dead woman's reincarnation as an animal that plagues her friends; "The Three Sisters," by W. W. Jacobs, author of "The Monkey's Paw," involving a plot to expedite an inheritance by simulating a ghostly visitation; "The Pavilion," by E. Nesbit, in which a pair of romantic rivals challenge each other to spend the night at a haunted pavilion; and "The King Waits," Clemence Dane's account of the final five minutes before Anne Boleyn's execution. Additional stories include the works of Algernon Blackwood, M. R. James, Lord Dunsany, and others.
Dover Original.